This conceptual visualization explores the tension between organic materiality and digital abstraction within an unrealistic exhibition setting. The space is imagined as a silent, dreamlike interior — a blue void where scale, gravity, and purpose lose their certainty.
A chair made entirely of living grass becomes a paradox: both a natural organism and an artificial construct. Its tactile softness contrasts with the cold, monolithic geometry of the environment. The sculptural figure observes this object in contemplation, suggesting a dialogue between human presence and nonhuman growth.
The composition employs exaggerated lighting, surreal textures, and spatial isolation to question what constitutes realityin designed environments. Rather than an inhabitable interior, the space acts as a mental exhibition — a fragment of imagination suspended between nature, artifice, and digital simulation.
